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		<title>ommadawn.dk - Books</title>
		<link>http://www.ommadawn.dk/design2.php?tagid=61</link>
		<item>
			<title>Interview with the creator of the MogPog's</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=1208</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=1208</guid>
			<description>&lt;p&gt;Tags: Books, Interview&lt;p&gt;&lt;p&gt;
Interviewing the author of
&lt;a href="http://www.amazon.com/Crystal-Point-Mog-Pogs-ebook/dp/B004K1EVNM"&gt;The Crystal Point of the Mog Pogs&lt;/a&gt;, Don Cambou.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Your book seems to take a stand on pollution, global warming etc. Which
other causes and organisations do you recommend or support yourself?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
I think converting our energy infrastructure to renewables, like solar,
wind, geothermal, and tidal, coupled with population control, is the key to
avoiding a truly apocalyptic future.  It's doable, if we make it a national
and international priority.  Let's build photvoltaic cells rather than land
mines and two billion dollar fighter jets.  I like and support aggressive
environmental organizations like the Environmental Defense Fund and
Rainforest Action Network.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
How did you transfer knowledge of visual media to writing a book?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
For me, writing a novel and writing a screenplay or documentary script
aren't that different.  At the heart of each endeavor is verbal story
telling.  When I was the Executive Producer of &lt;em&gt;Modern Marvels,&lt;/em&gt; I always
told my producers to write a good story first, and then worry about the
visuals.  If the story was strong enough, we would always find ways to
support it visually.  At the same time, I'm a very visual person.  I think
&lt;em&gt;The Crystal Point of the MOG POGs&lt;/em&gt; is very cinematic in image and
structure.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Our hero loves Discovery, and his bow and arrow. Which real life person is
he based on, if any?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
Lew, my protagonist, just came into my mind and started talking to me.
Sometimes while writing I actually say, "Lew, talk to me."  He hasn't
stopped talking, as I polish the second book and plunge into the third.  Lew
is part me, part the kid I would have liked to have been.  My father died
when I was three, so my grandfather became a very strong influence in my
life.  Like Lew, my favorite meal as a kid was a grilled cheese sandwich
with dill pickles. Also like Lew, a part of me has thankfully remained an
eleven year old boy.  I picked the bow and arrow as his weapon because of
it's mythic, archetypal significance.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
If you've had children read the book, before and/or after publication, how
were their reactions?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
I wrote &lt;em&gt;The Crystal Point&lt;/em&gt; for a broad audience.  But I also wrote it for
Middle Grade readers, especially boys.  I want to turn boys on to reading.
I had several eight to fourteen year old boys read it prior to publishing.
Everyone of them loved it.  They couldn't put it down.  A producer friend
told me that her young cousins actually fought over the single copy they
had.  I wanted to write a book that grabbed you fast and didn't let go.
&lt;em&gt;The Crystal Point&lt;/em&gt; is nearly non stop action.  Below is an email I received
from the fourteen year old son of another friend.
&lt;/p&gt;&lt;p&gt;
Wow... How should i say this. The book was great and i couldn't stop
reading it. I almost missed dinner i was so into it and i ended up
finishing it in one night. The creativity was what really made the
book, and the whole idea i found very cool and like no book i have
read before. I think that you really managed to master talking in the
point of view of a 11 year old boy. It actually sounded like a kid
about that age and it made it that much easier to relate to. The
character personalities also were perfect, in my opinion, partially
because i can relate to them, and partially because i thought they fit
the role perfectly. I would say the only problem is that I am not sure
I can wait for you to write the second book. Like i said, i am
anticipating the next book if there is going to be one, and i hope
this book gets published soon because it is something I think many
kids would enjoy.
&lt;/p&gt;&lt;p&gt;
-Adam J
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
&gt; Do you write fantasy because of a love for fantasy? Or were you surprised
&gt; you ended up there? Might you write science fiction or mystery the next
&gt; time?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
Ever since I read the &lt;em&gt;Lord of the Rings&lt;/em&gt; trilogy, four decades ago, I've
loved fantasy.  After working in non fiction television for thirty years,
and spending much of that time polishing other writers' work, I was ready to
take off my critical blinders and let my mind run free.  Writing &lt;em&gt;The
Crystal Point&lt;/em&gt; was a consuming, altogether pleasant experience for me.  I've
also loved science fiction for at least four decades.  At seventeen, I read
Aldous Huxley's &lt;em&gt;Brave New World.&lt;/em&gt;  The book changed my life.  I've read
much of Arthur C. Clarke and Michael Crichton.  I liked them both because of
the strong scientific foundations upon which their books were written.
Crichton my not have been the world's greatest stylist, but he could sure
write a compelling, cinematic novel.  I have several ideas for science
fiction novels.  I find these ideas disturbing, since they challenge what it
is to be human.  Look what we've done to dogs through selective breeding.
What will happen when we really start messing around with the human genome?
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Why did you release your book on Kindle?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
On Kindle, an author can publish what he or she wants, when he or she wants.
Traditional publishing is a waiting game with many obstacles to overcome.
I've talked to other fantasy writers who've done up to four free drafts for
publishers, only to have their manuscripts rejected in the end.  I've dealt
with the notes of network executives for thirty years.  Sometimes, they
help.  Often, they hinder.  I didn't want to subject &lt;em&gt;The Crystal Point&lt;/em&gt; to
an editor's whims.  Instead, I sought editorial advice from a successful
screenwriter friend.  She helped me immensely, but was always ready to defer
to my vision of the story.  Of course, the price for this freedom is that an
author has to create the awareness for his or her own book.  Big publishing
houses know how to push a book.  Kindle authors must try to do it
themselves, with a tiny fraction of the budget.
&lt;/p&gt;</description>
			<pubDate>Wed, 18 May 2011 00:00:00 +0200</pubDate>
			<category>Books</category><category>Interview</category>
		</item>
		<item>
			<title>Outline for Misery</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=1086</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=1086</guid>
			<description>&lt;p&gt;Tags: Books, Me, Stephen King&lt;p&gt;&lt;p&gt;What would an outline for &lt;em&gt;Misery&lt;/em&gt; look like? What can I learn about writing novels from this novel?&lt;/p&gt;
&lt;p&gt;
&lt;a href="/pdf/misery.pdf" target="_blank"&gt;Outline&lt;/a&gt;.
&lt;/p&gt;</description>
			<pubDate>Wed, 23 Jun 2010 00:00:00 +0200</pubDate>
			<category>Books</category><category>Me</category><category>Stephen King</category>
		</item>
		<item>
			<title>Under, but not dead</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=1038</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=1038</guid>
			<description>&lt;p&gt;Tags: Books, Quotes, Science fiction, Stephen King&lt;p&gt;&lt;p&gt;If you want a review of
&lt;a href="http://en.wikipedia.org/wiki/Under_the_Dome"
target="_blank"&gt;&lt;em&gt;&lt;b&gt;Under the dome&lt;/b&gt;&lt;/em&gt;&lt;/a&gt; by
&lt;a href="http://en.wikipedia.org/wiki/Stephen_king"
target="_blank"&gt;Stephen King&lt;/a&gt;, I suggest you skip to this one from
&lt;a href="http://www.revolutionsf.com/article.php?id=4734"
target="_blank"&gt;RevolutionSF (Van Allen Plexico)&lt;/a&gt;.
If however you want a sample of the energetic dialogue, stick
around.&lt;/p&gt;


&lt;p&gt;&lt;em&gt;"I checked the other shed just to make sure, thought
somebody might have moved the tanks --" [said Twitch]&lt;br /&gt;
"Why would anyone want to do that?" [said Rusty]&lt;br /&gt;
"I dunno, O Great One."&lt;br /&gt;
[...]&lt;br /&gt;
"Let him sleep. And I'm not going to call him The Wiz anymore.
Given how hard he's worked since this shit came down,
I thing he deserves better." [said Rusty]&lt;br /&gt;
"Ah so, sensei. You have reached a new level of enlightenment."&lt;br /&gt;
"Blow me, grasshopper."&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Chapter "Madness, blindness, astonishment of the heart", sub-chapter 9
/ page 200-201.&lt;/p&gt;</description>
			<pubDate>Mon, 01 Feb 2010 00:00:00 +0100</pubDate>
			<category>Books</category><category>Quotes</category><category>Science fiction</category><category>Stephen King</category>
		</item>
		<item>
			<title>Outline for Songmaster</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=1037</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=1037</guid>
			<description>&lt;p&gt;Tags: Books, Me, Orson Scott Card, Science fiction&lt;p&gt;&lt;p&gt;What would an outline for &lt;em&gt;Songmaster&lt;/em&gt; look like? What can I learn about writing novels from this novel?&lt;/p&gt;
&lt;p&gt;
&lt;a href="/pdf/songmaster.pdf" target="_blank"&gt;Outline&lt;/a&gt;.
&lt;/p&gt;</description>
			<pubDate>Wed, 20 Jan 2010 00:00:00 +0100</pubDate>
			<category>Books</category><category>Me</category><category>Orson Scott Card</category><category>Science fiction</category>
		</item>
		<item>
			<title>Libellus</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=253</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=253</guid>
			<description>&lt;p&gt;Tags: Books, Computers, Education, Me&lt;p&gt;&lt;p&gt;2003-2005 I wrote and maintained a book about basic programming within the field of multimedia. I called it &lt;a href="/libellus/" target="libellus"&gt;Libellus&lt;/a&gt;. I don't maintain it anymore, but the idea is, that the content should be timeless, and don't require maintenance. However, some of the links may not work anymore. Note that you can change the language to English by rummaging around with the exit sign.&lt;/p&gt;

&lt;p align="center"&gt;&lt;img src="/grafik/liblogomax.gif" usemap="#libellusmap" border="0"&gt;&lt;/p&gt;

&lt;map id="libellusmap" name="libellusmap"&gt;
&lt;area shape="circle"
coords="167,167,167"
href="/libellus/" target="libellus" /&gt;
&lt;/map&gt;

&lt;span style="visibility:hidden; font-size: 3pt"&gt;
&lt;a href="/libellus/begreb.php?emneid=88" &gt;a-tag&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=20" &gt;Actionscript&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=104" &gt;Adfærdsmønster&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=28" &gt;Array&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=17" &gt;ASP, PHP&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=29" &gt;Bibliotek&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=72" &gt;Billedformat&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=97" &gt;Browser&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=71" &gt;Båndbredde&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=61" &gt;Client/server&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=64" &gt;&lt;b&gt;Computer&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=5" &gt;Create, alter, drop&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=10" &gt;CSS&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=1" &gt;&lt;b&gt;Database&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=102" &gt;De 3 regler for normalisering&lt;/a&gt; U.c.
&lt;a href="/libellus/begreb.php?emneid=94" &gt;De 5 dokument-dimensioner&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=24" &gt;Director&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=58" &gt;DNS&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=44" &gt;&lt;b&gt;Dokumentation&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=13" &gt;Dreamweaver&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=4" &gt;E/R-diagram&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=83" &gt;EnSimpelSide.html&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=62" &gt;Event&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=70" &gt;Filsystem&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=66" &gt;Firewall&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=21" &gt;Flash&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=43" &gt;Flowchart&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=37" &gt;For&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=14" &gt;Forfatterværktøj / udviklingsmiljø&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=86" &gt;form-tag&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=16" &gt;Formatteringssprog&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=100" &gt;frame-tag&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=60" &gt;FTP&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=30" &gt;Funktion&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=48" &gt;HOME&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=98" &gt;HTTP&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=35" &gt;If&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=85" &gt;img-tag&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=6" &gt;Insert, update, delete&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=15" &gt;Javascript&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=51" &gt;Klasse-hændelses-tabel&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=103" &gt;Klassediagram&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=75" &gt;Komponent&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=73" &gt;Komprimering&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=34" &gt;Kontrolstruktur&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=47" &gt;Kravspecifikation&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=87" &gt;Lag i XHTML&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=23" &gt;LINGO&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=89" &gt;Lyd og video i XHTML&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=41" &gt;Navigationsdiagram&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=59" &gt;&lt;b&gt;Netværk&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=3" &gt;Normalisering&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=33" &gt;Og/eller&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=49" &gt;OOAD&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=79" &gt;Operativsystem&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=67" &gt;Patch&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=74" &gt;Platform&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=69" &gt;Port&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=63" &gt;Proces&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=76" &gt;Processor&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=26" &gt;Program / applikation&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=92" &gt;&lt;b&gt;Program-element&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=19" &gt;&lt;b&gt;Programmeringssprog&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=99" &gt;Protokol&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=53" &gt;Prototyping&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=57" &gt;Proxy&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=25" &gt;Pseudokode&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=101" &gt;Pæn programmering&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=77" &gt;RAM&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=56" &gt;Router&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=9" &gt;Select&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=22" &gt;Shockwave&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=65" &gt;Sikkerhed&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=2" &gt;&lt;b&gt;SQL&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=91" &gt;SQL-statement&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=42" &gt;Storyboard&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=93" &gt;Struktur i XHTML&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=40" &gt;Struktureret analyse&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=50" &gt;Systemdefinition&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=39" &gt;&lt;b&gt;Systemudvikling&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=84" &gt;table-tag&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=55" &gt;TCP/IP&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=45" &gt;Test&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=46" &gt;Tidsplan&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=52" &gt;Udforskende udvikling&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=36" &gt;Udgrening&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=54" &gt;Vandfaldsmetoden&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=27" &gt;Variabel&lt;/a&gt;

&lt;a href="/libellus/begreb.php?emneid=68" &gt;Webserver&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=38" &gt;While&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=12" &gt;&lt;b&gt;XHTML&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=95" &gt;XHTML attributter&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=96" &gt;XHTML syntaks&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=90" &gt;&lt;b&gt;XHTML-tag&lt;/b&gt;&lt;/a&gt;
&lt;a href="/libellus/begreb.php?emneid=11" &gt;XML&lt;/a&gt;

&lt;a href="/libellus/vejledning.html"&gt;Vejledning&lt;/a&gt;
&lt;a href="/libellus/baggrund.html"&gt;Baggrund&lt;/a&gt;

&lt;a href="/libellus/guide.html"&gt;Guide&lt;/a&gt;
&lt;a href="/libellus/background.html"&gt;Background&lt;/a&gt;
&lt;/span&gt;</description>
			<pubDate>Wed, 04 Jun 2008 00:00:00 +0200</pubDate>
			<category>Books</category><category>Computers</category><category>Education</category><category>Me</category>
		</item>
		<item>
			<title>London, 2002</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=120</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=120</guid>
			<description>&lt;p&gt;Tags: Books, Events, London, Me, Movies, Music, Pictures, Science fiction, Vacation&lt;p&gt;&lt;p&gt;In the summer of 2002, July 3-9, I had a summer holiday in London. This time I didn't have
much planned before I left home - only some addresses, some vague ideas, and a feeling that
I would get up every morning and &lt;b&gt;then&lt;/b&gt; decide what I wanted to do that day. Actually I ran
out of ideas the last day, bought a guide book, and went to the first place that sounded
interesting. It worked!&lt;/p&gt;

&lt;p&gt;This review of my trip won't mention dates and stuff like that, and I won't include every
single thing I did. Only those I found very interesting, and would recommend to others.&lt;/p&gt;

&lt;h2&gt;Forbidden planet&lt;/h2&gt;

&lt;p&gt;For
the first time I had a strong feeling, I would shop 
while in London, and this feeling primarily had something to do with going to 
&lt;STRONG&gt;Forbidden planet&lt;/STRONG&gt;. This shop has everything a
fantasy and/or science fiction fan could wish for: books, videos, merchandise, autographs,
a discount system for Star Trek fans... I found some books, I very much look forward to
reading, including a book of Star Trek quotes - boy, at some point I was planning to do one
of my own! It feels great to have been here (I heard about it for the first time a few years
ago), it didn't quite meet my expectations, but I will still come back here, I hope.&lt;/p&gt;

&lt;h3&gt;The store&lt;/h2&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/forbidden.jpg"&gt;
&lt;/p&gt;

&lt;h2&gt;Tate and National Gallery&lt;/h2&gt;

&lt;p&gt;One of my big plans was to
see a lot of paintings, and I 
had a couple of guided tours at &lt;STRONG&gt;Tate and National Gallery&lt;/STRONG&gt;.
I have this feeling seeing a painting is just like
reading a book: a story is being told, or a feeling is being conveyed, or... Trouble is,
in this case the book is in Japanese, or in other words: I don't quite know the language
of painting yet. Which is why I need the guided tours, because they translate the paintings
for me. I saw a depressing picture (1), and didn't know that depressing was "bad" at
the time it was painted - today it is accepted. I saw a picture with nature showing its teeth
(2) - and didn't know, that at the time grandeur of any kind usually was connected with the
greatness of God. And then one of the really complicated pictures, where everything was a
symbol for something (3): the number 9 on the sun dial (the holy trinity if I remember correctly),
the poppy flower (opium addiction), the dove (innocence) and so on. I saw Virgin Mary in a
blue dress (4)&amp;nbsp;- blue usually meant royalty, because the color blue was very expensive. And so on,
and so forth. I just loved the guide mentioning the hover tiger (5)! And for some
reason, I quite liked the few van Goghs I saw (6). And of
course, with some pictures (7), the story wasn't
that important - the colors were beautiful, that was everything that mattered. And
with other pictures (8), I never quite understood why the painting was ever done - there
was no story I could see, it was ugly and so on.&lt;/p&gt;

&lt;p&gt;The boring details. (1) The field of Waterloo; JMW 
Turner. (2) The fall of an avalanche in the Grisons; JMW Turner. (3) Beata 
Beatrix; Dante Gabriel Rossetti. (4) The virgin and child; Masaccio. (5) Tiger 
in a tropical storm (surprised!); Henri Rousseau. (6) Sunflowers; Van Goghs 
chair; Long grass with butterflies; A wheatfield, with cypresses; all by Vincent van Gogh. (7) Norham Castle,
sunrise; JMW Turner. (8) Sunny morning - eight legs; Lucian Freud.&lt;/p&gt;

&lt;h3&gt;A wheatfield&lt;/h3&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/wheatfield.jpg"&gt;
&lt;/p&gt;

&lt;h2&gt;IMAX&lt;/h2&gt;

&lt;p&gt;Before leaving home,
I accidentally read about 3D movies 
in London. I sought out &lt;STRONG&gt;IMAX&lt;/STRONG&gt; and&amp;nbsp;saw&amp;nbsp;&lt;STRONG&gt;Space 
Station 3D&lt;/STRONG&gt;. They were very friendly at IMAX - I bought my ticket very 
early, and was allowed to see the end of the movie before mine! The 3D effects 
were very good - at some point I was sure I could have touched a thing on the 
screen! Alas, that was only the intro - the actual movie was very sober, and 
didn't abuse (?) the effects... It was a good movie, with a serious narrative by 
Tom Cruise. I learned a few things I didn't know about ISS - a project that has 
sort of snuck up on me, a big surprise for an old space program and SF fan!&lt;/p&gt;

&lt;h3&gt;Space Station 3D&lt;/h3&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/spacestation3d.jpg"&gt;
&lt;/p&gt;

&lt;h2&gt;Elvis&lt;/h2&gt;

&lt;p&gt;Saturday night
I was lucky enough to be at a party. Some 
of the music was live, a man and a woman and a tape player or something. 
Suddenyl the man left, and in came - &lt;STRONG&gt;Elvis&lt;/STRONG&gt;! I guess my fast 
mind thought: if he can be an Elvis copy, I can be a fan copy! So I threw myself 
on the floor in front of him, fondling his knees, looking at him with big, wet 
eyes. Well, he liked the joke, and played along! Before I knew it, he was 
singing a love song (Can't help falling in love with you) mainly for me, we were 
dancing and holding hands, and I even think he gave me a kiss, before finishing 
the song. The other party guest also liked the joke, and laughed. This was a 
very personal, very strong experience for me: Elvis sang a love song to me! And 
the biggest thing I remember from this vacation.&lt;/p&gt;

&lt;h3&gt;Smiling&lt;/h3&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/elvis.jpg"&gt;
&lt;/p&gt;

&lt;h2&gt;Les Miserables&lt;/h2&gt;

&lt;p&gt;I had half a plan,
and found the energy to turn it into 
a full plan: buying a very good ticket for &lt;STRONG&gt;Les Miserables&lt;/STRONG&gt;. The 
musical, you know. Running for 18 years or something like that. Way back when it 
was playing in Denmark, everybody asked me whether I had seen it - after the 
show had ended! So for 10 years, I've wanted to see this. And now I had the 
chance! I knew the music quite well, but hadn't quite figured out the plot. 
Well. Now I know the plot. And I like this musical, and have plans to see it 
again, if possible. I actually cried a couple of times near the end - only 
quality does that to me! Since then, I've read the book.&lt;/p&gt;

&lt;h3&gt;Miserable child&lt;/h3&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/miserables.jpg"&gt;
&lt;/p&gt;

&lt;h2&gt;The loot&lt;/h2&gt;

&lt;p&gt;And finally.
As I said, I shopped a bit. And here's &lt;STRONG&gt;the loot&lt;/STRONG&gt;.&lt;/p&gt;

&lt;h3&gt;Books and stuff&lt;/h3&gt;

&lt;p align="center"&gt;
&lt;img src="/events/london2002/the_loot.jpg"&gt;
&lt;/p&gt;</description>
			<pubDate>Wed, 04 Jun 2008 00:00:00 +0200</pubDate>
			<category>Books</category><category>Events</category><category>London</category><category>Me</category><category>Movies</category><category>Music</category><category>Pictures</category><category>Science fiction</category><category>Vacation</category>
		</item>
		<item>
			<title>Quotes</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=228</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=228</guid>
			<description>&lt;p&gt;Tags: Books, Mike Oldfield, Movies, Music, Olivia Newton-John, Quotes, Science fiction, Star Trek&lt;p&gt;&lt;p&gt;I include a quote in my signature, changing once every week. And I try
to choose quotes, that tells you something about me: my hobbies, my
beliefs and so on. If you don't want to wait and send me a letter every
week, just to see a new quote, you can cheat and look here. Quotes in italics
are now retired.&lt;/p&gt;

&lt;h2&gt;Music&lt;/h2&gt;

&lt;h3&gt;Olivia Newton-John&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
And if I close my eyes to the wild silent ruin,&lt;br&gt;
then I'm just like everyone else.
&lt;dd&gt;
		-- Olivia Newton-John, Gaia&lt;p&gt;
&lt;dt&gt;
I can sing one song - you can sing another,&lt;br&gt;
doesn't mean I'm wrong,&lt;br&gt;
don't let anything get in the way of love.
&lt;dd&gt;
		-- Olivia Newton-John, Gaia

&lt;/dl&gt;

&lt;h3&gt;Mike Oldfield&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
So if you feel a little glum,&lt;br&gt;
to Hergest Ridge you should come.&lt;br&gt;
In summer winter rain or sun,&lt;br&gt;
it's good to be on horseback.
&lt;dd&gt;
                -- Mike Oldfield, "On Horseback"

&lt;/dl&gt;

&lt;h3&gt;Others&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
&lt;em&gt;
Angels we have heard on High&lt;br&gt;
Tell us to go out and Buy.&lt;/em&gt;
&lt;dd&gt;
                &lt;em&gt;-- Tom Lehrer&lt;/em&gt;&lt;p&gt;
&lt;dt&gt;
All you need is love
&lt;dd&gt;
                -- Beatles
&lt;/dl&gt;

&lt;h2&gt;Books&lt;/h2&gt;

&lt;h3&gt;The Hitch Hiker's Guide to the Galaxy / Douglas Adams&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Anyone who is capable of getting themselves made President
should on no account be allowed to do the job.

&lt;dd&gt;
                -- D.Adams, "The Hitchhiker's Guide to the Galaxy"&lt;p&gt;
&lt;dt&gt;
The large yellow ships hung in the sky in exactly the same way
that bricks don't.
&lt;dd&gt;
                -- D.Adams, "The Hitchhiker's Guide to the Galaxy"&lt;p&gt;
&lt;dt&gt;
Duleek: Sudden realisation, as you lie in bed waiting for the
alarm to go off, that it should have gone off an hour ago.
&lt;dd&gt;
                -- Douglas Adams, "The Meaning of Liff"
&lt;/dl&gt;

&lt;h3&gt;Terry Pratchett&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
The light was misty and actinic, the sort of light to make
Steven Spielberg reach for his copyright lawyer.
&lt;dd&gt;
                -- Terry Pratchett, "Equal Rites"&lt;p&gt;
&lt;dt&gt;
Time passed, which, basically, is its job.
&lt;dd&gt;
                -- Terry Pratchett, "Equal Rites"&lt;p&gt;
&lt;dt&gt;

What time´s sunset around here?&lt;br&gt;
We normally manage to fit it in between night and day
&lt;dd&gt;
                -- Terry Pratchett, "Mort"
&lt;/dl&gt;

&lt;h3&gt;Isaac Asimov&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Violence is the last refuge of the incompetent
&lt;dd&gt;
                -- Isaac Asimov, "Foundation"&lt;p&gt;

&lt;dt&gt;
I do not fear computers.  I fear the lack of them.
&lt;dd&gt;
                -- Isaac Asimov&lt;p&gt;
&lt;dt&gt;
The most exciting phrase in science, the one that heralds new
discoveries, is not "Eureka" (I found it!) but "That's funny..."
&lt;dd&gt;
                -- Isaac Asimov
&lt;/dl&gt;

&lt;h3&gt;Stephen King&lt;/h3&gt;

&lt;dl&gt;

&lt;dt&gt;
It's a long walk back to Eden, dear, so don't sweat
the small stuff.
&lt;dd&gt;
                -- Stephen King, Insomnia&lt;p&gt;
&lt;dt&gt;
When asked, "How do you write?" I invariably answer,
"one word at a time."
&lt;dd&gt;
                -- Stephen King&lt;p&gt;
&lt;/dl&gt;

&lt;h3&gt;Other science fiction writers&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Any sufficiently advanced technology is
indistinguishable from magic.
&lt;dd&gt;
                -- Arthur C. Clarke&lt;p&gt;
&lt;dt&gt;
What sane person could live in this world and not be crazy ?
&lt;dd&gt;
                -- Ursula K. LeGuin
&lt;/dl&gt;

&lt;h2&gt;Movies&lt;/h2&gt;

&lt;h3&gt;Star Trek&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Without freedom of choice, there is no creativity.
Without creativity, there is no life.
&lt;dd&gt;
		-- Kirk, "Star Trek"&lt;p&gt;
&lt;dt&gt;
Live long ... and prosper.
&lt;dd&gt;
                -- Spock, "Star Trek"&lt;p&gt;

&lt;dt&gt;
In any case, were I to invoke logic, logic clearly dictates
that the needs of the many outweigh the needs of the few.
&lt;dd&gt;
                -- Spock, "Star Trek"&lt;p&gt;
&lt;dt&gt;
(When asked why he saved Spocks life)
Because the needs of the one outweigh the needs of the many.
&lt;dd&gt;
                -- Kirk, "Star Trek"
&lt;/dl&gt;

&lt;h3&gt;Star Wars&lt;/h3&gt;

&lt;dl&gt;

&lt;dt&gt;
Luminous beings are we, not this crude matter.
&lt;dd&gt;
		-- Yoda, Star Wars V
&lt;/dl&gt;

&lt;h3&gt;Red dwarf&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
No Silicon Heaven? Preposterous! Where would all the
calculators go?
&lt;dd&gt;
                -- Kryten, "Red Dwarf"&lt;p&gt;

&lt;dt&gt;
Given that God is infinite, and that the Universe is also
infinite, would you like a toasted tea cake?
&lt;dd&gt;
                -- Talkie Toaster, "Red Dwarf"
&lt;/dl&gt;

&lt;h3&gt;Monty Python's Flying Circus&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Always look on the bright side of life
&lt;dd&gt;
                -- Monty Python, Life of Brian&lt;p&gt;

&lt;dt&gt;
And pray that there's intelligent life somewhere up in space,
Because there's bugger all down here on Earth.
&lt;dd&gt;
                -- Monty Python
&lt;/dl&gt;

&lt;h3&gt;When Harry met Sally&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
When you realize you want to spend the rest of your life with somebody,
you want the rest of your life to start as soon as possible.
&lt;dd&gt;
                -- Harry Burns, "When Harry met Sally"
&lt;/dl&gt;

&lt;h3&gt;Shadowlands&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
We can't have the happiness of yesterday without the
pain of today.  That's the deal.
&lt;dd&gt;
                -- Joy Gresham, "Shadowlands"
&lt;/dl&gt;

&lt;h3&gt;Simpsons&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;

The truth is not out there
&lt;dd&gt;
                -- Bart Simpson writing on the black board&lt;p&gt;
&lt;dt&gt;
I will not use abbrev.
&lt;dd&gt;
                -- Bart Simpson writing on the black board&lt;p&gt;
&lt;dt&gt;
I will finish what I sta
&lt;dd&gt;
                -- Bart Simpson writing on the black board&lt;p&gt;

&lt;dt&gt;
When you love somebody, you have to have faith that in the end,
they will do the right thing.
&lt;dd&gt;
		-- Marge Simpson to Lisa
&lt;/dl&gt;

&lt;h3&gt;Other movies&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Well, Miss Vale; ever dance with the devil in the pale moonlight?
I always ask that of all my prey. I just kinda like the sound of it!
&lt;dd&gt;
		-- The Joker&lt;p&gt;

&lt;dt&gt;
If you want something very badly, set it free. If it comes back to you,
it's yours forever. If it doesn't, it was never yours to begin with.
&lt;dd&gt;
		-- Diana, "Indecent Proposal"&lt;p&gt;
&lt;dt&gt;
That which does not kill us, makes us stronger.
&lt;dd&gt;
                -- Friedrich Nietzsche
&lt;/dl&gt;

&lt;h2&gt;Other stuff&lt;/h2&gt;

&lt;h3&gt;Greenpeace&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
Only when the last tree has died and the last river has been poisoned and
the last fish has been caught will we realise that we cannot eat money.
&lt;dd&gt;
		-- 19th Century Cree Indian
&lt;/dl&gt;

&lt;h3&gt;The holy bible&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;

... thou shalt love thy neighbour as thyself ...
&lt;dd&gt;
		-- Leviticus 19:18&lt;p&gt;
&lt;dt&gt;
To every thing there is a season, 
and a time to every purpose under the heaven
&lt;dt&gt;
A time to be born, and a time to die; 
a time to plant, and a time to pluck up that which is plantd;
&lt;dt&gt;
A time to kill, and a time to heal; 
a time to break down, and a time to build up
&lt;dt&gt;
A time to weep, and a time to laugh; 
a time to mourn, and a time to dance
&lt;dt&gt;
A time to cast away stones, and a time to gather stones together; 
a time to embrace, and a time to refrain from embracing
&lt;dt&gt;
A time to get, and a time to lose; 
a time to keep, and a time to cast away

&lt;dt&gt;
A time to rend, and a time to sew; 
a time to keep silence, and a time to speak
&lt;dt&gt;
A time to love, and a time to hate; 
a time of war, and a time of peace
&lt;dd&gt;
		-- Ecclesiastes 3:1-8&lt;p&gt;
&lt;/dl&gt;

&lt;h3&gt;Other sources&lt;/h3&gt;

&lt;dl&gt;
&lt;dt&gt;
On the whole, human beings want to be good, but not too good,
and not quite all the time. 
&lt;dd&gt;

                -- George Orwell&lt;p&gt;
&lt;dt&gt;
It may be that your sole purpose in life is simply to serve as a warning
to others.
&lt;dd&gt;
		-- Anonymous&lt;p&gt;
&lt;dt&gt;
Happiness: The full use of your powers along lines of
excellence.
&lt;dd&gt;
                -- John F. Kennedy &lt;p&gt;
&lt;dt&gt;
Beware of bugs in the above code; I have only proved
it correct, not tried it.

&lt;dd&gt;
                -- Donald Knuth&lt;p&gt;
&lt;dt&gt;
Shift to the left, shift to the right,&lt;br /&gt;
pop up, push down, byte, byte, byte!&lt;p&gt;
&lt;dt&gt;
&lt;em&gt;
If I have seen farther than others, it is because I was standing on the
shoulders of giants.&lt;/em&gt;
&lt;dd&gt;
                &lt;em&gt;-- Isaac Newton&lt;/em&gt;&lt;p&gt;
&lt;dt&gt;

&lt;em&gt;In the sciences, we are now uniquely privileged to sit side by side
with the giants on whose shoulders we stand.&lt;/em&gt;
&lt;dd&gt;
                &lt;em&gt;-- Gerald Holton&lt;/em&gt;&lt;p&gt;
&lt;dt&gt;
&lt;em&gt;If I have not seen as far as others, it is because giants were standing
on my shoulders.&lt;/em&gt;
&lt;dd&gt;
                &lt;em&gt;-- Hal Abelson&lt;/em&gt;&lt;p&gt;
&lt;dt&gt;
&lt;em&gt;In computer science, we stand on each other's feet.&lt;/em&gt;
&lt;dd&gt;
                &lt;em&gt;-- Brian K. Reid&lt;/em&gt;&lt;p&gt;

&lt;dt&gt;
Call on God, but row away from the rocks.
&lt;dd&gt;
                -- Indian proverb&lt;p&gt;
&lt;dt&gt;
Trust in Allah, but tie your camel. 
&lt;dd&gt;
                --Old Muslim Proverb&lt;p&gt;
&lt;dt&gt;
Life has taught us that love does not consist in gazing at each
other but in looking outward together in the same direction.
&lt;dd&gt;
                -- Antoine de Saint-Exupery&lt;p&gt;

&lt;dt&gt;
There are only two ways to live your life: One is as though nothing
were a miracle, The other is as though everything is.
&lt;dd&gt;
                -- Albert Einstein&lt;p&gt;
&lt;dt&gt;
I know not with what weapons World War III will be fought,
but World War IV will be fought with sticks and stones.
&lt;dd&gt;
                -- Albert Einstein&lt;p&gt;
&lt;dt&gt;
Imagination is more important than knowledge. 
&lt;dd&gt;
                -- Albert Einstein&lt;p&gt;

&lt;dt&gt;
To work is good as long as we remember to live!
&lt;dd&gt;
		-- Anonymous&lt;p&gt;
&lt;dt&gt;
You cannot teach a man anything; you can only help
him find it within himself.
&lt;dd&gt;
                -- Galileo&lt;p&gt;
&lt;dt&gt;
Education's purpose is to replace an empty mind with an open one. 
&lt;dd&gt;
                -- Malcolm S. Forbes&lt;p&gt;

&lt;dt&gt;
It has been said "it is not by amusing oneself that one learns," and,
in reply: "it is *only* by amusing oneself that one can learn."
&lt;dd&gt;
                -- Edward Kasner and James R. Newman&lt;p&gt;
&lt;dt&gt;
We are not human beings having a spiritual experience.
We are spiritual beings having a human experience.
&lt;dd&gt;
		-- Teilhard de Chardin&lt;p&gt;
&lt;dt&gt;
The definition of insanity is doing the same thing
over and over expecting different results.
&lt;dd&gt;
		-- Attributed to Benjamin Franklin&lt;p&gt;

&lt;dt&gt;
We hold these truths to be self-evident,&lt;br&gt;
that all men are created equal,&lt;br&gt;
that they are endowed by their Creator with certain unalienable Rights,&lt;br&gt;
that among these are Life, Liberty and the pursuit of Happiness.&lt;br&gt;
...&lt;br&gt;
--That whenever any Form of Government becomes destructive of these ends,&lt;br&gt;
it is the Right of the People to alter or to abolish it, and to institute new Government...
&lt;dd&gt;
		-- Declaration of independence, Thomas Jefferson&lt;p&gt;

&lt;/dl&gt;</description>
			<pubDate>Wed, 04 Jun 2008 00:00:00 +0200</pubDate>
			<category>Books</category><category>Mike Oldfield</category><category>Movies</category><category>Music</category><category>Olivia Newton-John</category><category>Quotes</category><category>Science fiction</category><category>Star Trek</category>
		</item>
		<item>
			<title>Books</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=101</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=101</guid>
			<description>&lt;p&gt;Tags: Books, Me&lt;p&gt;&lt;p&gt;Well, I've certainly
read a lot of them. And of course there's some favorites.
I can remember seeing &lt;STRONG&gt;The Hitch Hiker's Guide to the
Galaxy&lt;/STRONG&gt; by &lt;STRONG&gt;Douglas Adams&lt;/STRONG&gt; on German
television years ago, and I was thrilled to find it as a book as well.
&lt;STRONG&gt;Terry Pratchett&lt;/STRONG&gt; is just as funny, he just
writes fantasy instead. And while I'm at it, I adore &lt;STRONG&gt;Garfield&lt;/STRONG&gt;,
and got all the albums that's been translated to Danish, and then some! For the
more serious bits, I like the way &lt;STRONG&gt;Isaac Asimov&lt;/STRONG&gt;
handles the future. And I like the way &lt;STRONG&gt;Stephen King&lt;/STRONG&gt;
handles describing people, even though I'm not a great fan of horror.
And recently I have fallen in love with the intelligent, loving, slightly unorthodox people
in &lt;strong&gt;Robert Heinlein&lt;/strong&gt; books.
&lt;strong&gt;Larry Niven&lt;/strong&gt; and &lt;strong&gt;Anne McCaffrey&lt;/strong&gt; are also
taking up space on the shelves.
And finally I've got to recommend the Narnia books by &lt;STRONG&gt;C.S.Lewis&lt;/STRONG&gt;.
Yeah, they're books for children, but I still like to read them from time
to time.&lt;/p&gt;

&lt;p&gt;Oh yeah, the links:
&lt;A HREF="http://www.bbc.co.uk/h2g2/guide/"&gt;The Hitch Hiker's Guide to the Galaxy&lt;/a&gt;,
&lt;A HREF="http://www.douglasadams.com/"&gt;Douglas Adams&lt;/A&gt;,
&lt;A HREF="http://www.lspace.org/"&gt;Terry Pratchett&lt;/A&gt;,
&lt;a href="http://www.garfield.com:80/"&gt;Garfield&lt;/a&gt;,
&lt;A HREF="http://www.asimovonline.com/"&gt;Isaac Asimov&lt;/a&gt;, 
&lt;A HREF="http://www.stephenking.com"&gt;Stephen King&lt;/a&gt;,
&lt;A HREF="http://cslewis.DrZeus.net/"&gt;C.S.Lewis&lt;/A&gt;.&lt;/p&gt;</description>
			<pubDate>Thu, 31 May 2007 00:00:00 +0200</pubDate>
			<category>Books</category><category>Me</category>
		</item>
		<item>
			<title>Hobbies</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=97</link>
			<guid>http://www.ommadawn.dk/design2.php?sideid=97</guid>
			<description>&lt;p&gt;Tags: Books, Me, Movies, Music, Science fiction&lt;p&gt;Wanna know some more about my hobbies?
Here they are:&lt;p&gt;

&lt;img src="/grafik/lise/bobler2.jpg"&gt;</description>
			<pubDate>Sun, 11 Dec 2005 00:00:00 +0100</pubDate>
			<category>Books</category><category>Me</category><category>Movies</category><category>Music</category><category>Science fiction</category>
		</item>
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