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		<title>ommadawn.dk - Interview</title>
		<link>http://www.ommadawn.dk/design2.php?tagid=313</link>
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			<title>Interview with the creator of the MogPog's</title>
			<link>http://www.ommadawn.dk/design2.php?sideid=1208</link>
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			<description>&lt;p&gt;Tags: Books, Interview&lt;p&gt;&lt;p&gt;
Interviewing the author of
&lt;a href="http://www.amazon.com/Crystal-Point-Mog-Pogs-ebook/dp/B004K1EVNM"&gt;The Crystal Point of the Mog Pogs&lt;/a&gt;, Don Cambou.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Your book seems to take a stand on pollution, global warming etc. Which
other causes and organisations do you recommend or support yourself?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
I think converting our energy infrastructure to renewables, like solar,
wind, geothermal, and tidal, coupled with population control, is the key to
avoiding a truly apocalyptic future.  It's doable, if we make it a national
and international priority.  Let's build photvoltaic cells rather than land
mines and two billion dollar fighter jets.  I like and support aggressive
environmental organizations like the Environmental Defense Fund and
Rainforest Action Network.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
How did you transfer knowledge of visual media to writing a book?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
For me, writing a novel and writing a screenplay or documentary script
aren't that different.  At the heart of each endeavor is verbal story
telling.  When I was the Executive Producer of &lt;em&gt;Modern Marvels,&lt;/em&gt; I always
told my producers to write a good story first, and then worry about the
visuals.  If the story was strong enough, we would always find ways to
support it visually.  At the same time, I'm a very visual person.  I think
&lt;em&gt;The Crystal Point of the MOG POGs&lt;/em&gt; is very cinematic in image and
structure.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Our hero loves Discovery, and his bow and arrow. Which real life person is
he based on, if any?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
Lew, my protagonist, just came into my mind and started talking to me.
Sometimes while writing I actually say, "Lew, talk to me."  He hasn't
stopped talking, as I polish the second book and plunge into the third.  Lew
is part me, part the kid I would have liked to have been.  My father died
when I was three, so my grandfather became a very strong influence in my
life.  Like Lew, my favorite meal as a kid was a grilled cheese sandwich
with dill pickles. Also like Lew, a part of me has thankfully remained an
eleven year old boy.  I picked the bow and arrow as his weapon because of
it's mythic, archetypal significance.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
If you've had children read the book, before and/or after publication, how
were their reactions?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
I wrote &lt;em&gt;The Crystal Point&lt;/em&gt; for a broad audience.  But I also wrote it for
Middle Grade readers, especially boys.  I want to turn boys on to reading.
I had several eight to fourteen year old boys read it prior to publishing.
Everyone of them loved it.  They couldn't put it down.  A producer friend
told me that her young cousins actually fought over the single copy they
had.  I wanted to write a book that grabbed you fast and didn't let go.
&lt;em&gt;The Crystal Point&lt;/em&gt; is nearly non stop action.  Below is an email I received
from the fourteen year old son of another friend.
&lt;/p&gt;&lt;p&gt;
Wow... How should i say this. The book was great and i couldn't stop
reading it. I almost missed dinner i was so into it and i ended up
finishing it in one night. The creativity was what really made the
book, and the whole idea i found very cool and like no book i have
read before. I think that you really managed to master talking in the
point of view of a 11 year old boy. It actually sounded like a kid
about that age and it made it that much easier to relate to. The
character personalities also were perfect, in my opinion, partially
because i can relate to them, and partially because i thought they fit
the role perfectly. I would say the only problem is that I am not sure
I can wait for you to write the second book. Like i said, i am
anticipating the next book if there is going to be one, and i hope
this book gets published soon because it is something I think many
kids would enjoy.
&lt;/p&gt;&lt;p&gt;
-Adam J
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
&gt; Do you write fantasy because of a love for fantasy? Or were you surprised
&gt; you ended up there? Might you write science fiction or mystery the next
&gt; time?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
Ever since I read the &lt;em&gt;Lord of the Rings&lt;/em&gt; trilogy, four decades ago, I've
loved fantasy.  After working in non fiction television for thirty years,
and spending much of that time polishing other writers' work, I was ready to
take off my critical blinders and let my mind run free.  Writing &lt;em&gt;The
Crystal Point&lt;/em&gt; was a consuming, altogether pleasant experience for me.  I've
also loved science fiction for at least four decades.  At seventeen, I read
Aldous Huxley's &lt;em&gt;Brave New World.&lt;/em&gt;  The book changed my life.  I've read
much of Arthur C. Clarke and Michael Crichton.  I liked them both because of
the strong scientific foundations upon which their books were written.
Crichton my not have been the world's greatest stylist, but he could sure
write a compelling, cinematic novel.  I have several ideas for science
fiction novels.  I find these ideas disturbing, since they challenge what it
is to be human.  Look what we've done to dogs through selective breeding.
What will happen when we really start messing around with the human genome?
&lt;/p&gt;&lt;p&gt;&lt;b&gt;
Why did you release your book on Kindle?
&lt;/b&gt;&lt;/p&gt;&lt;p&gt;
On Kindle, an author can publish what he or she wants, when he or she wants.
Traditional publishing is a waiting game with many obstacles to overcome.
I've talked to other fantasy writers who've done up to four free drafts for
publishers, only to have their manuscripts rejected in the end.  I've dealt
with the notes of network executives for thirty years.  Sometimes, they
help.  Often, they hinder.  I didn't want to subject &lt;em&gt;The Crystal Point&lt;/em&gt; to
an editor's whims.  Instead, I sought editorial advice from a successful
screenwriter friend.  She helped me immensely, but was always ready to defer
to my vision of the story.  Of course, the price for this freedom is that an
author has to create the awareness for his or her own book.  Big publishing
houses know how to push a book.  Kindle authors must try to do it
themselves, with a tiny fraction of the budget.
&lt;/p&gt;</description>
			<pubDate>Wed, 18 May 2011 00:00:00 +0200</pubDate>
			<category>Books</category><category>Interview</category>
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